Rachmaninov - Concerto No.2 in Cm
This was completed in 1901, and dedicated to hypnotist Dr Nikolai Dahl.
Sergey Vassilievich Rachmaninoff was born on April 1, 1873, at Semyonovo, a large estate near the ancient city of
Novgorod, Russia. His father, an army officer, gambled, drank, and squandered nearly all of his wife's considerable
inheritance. Vassily Rachmaninoff left his wife when Sergey was nine years old, and Sergey's sister Sofia died soon
thereafter. The family was forced to auction off Semyonovo to pay their debts and move to St. Petersburg, where Sergey
enrolled in the conservatory to continue his piano studies.
By all accounts, Sergey was a problem child, but he had an extraordinary talent at the piano. Aware of his natural gift
and still reeling from the troubles within his family, Sergey did not invest much effort in his studies. In 1885 he failed
all of his exams at the St. Petersburg Conservatory and was sent to Moscow to study and live with Nikolai Zvereff, one of
Russia's leading music teachers who taught at the Moscow Conservatory and proposed to discipline Sergey. Four years with
Zvereff gave Sergey a new outlook on life as well as music. Their relationship came to an abrupt end in 1889, when Zvereff
refused to give Sergey a private room to compose in and Sergey left to study with his cousin Alexander Ziloti.
In 1892, Sergey graduated from the conservatory with high honours and a commendation from Tchaikovsky himself on
Rachmaninoff's thesis project, the opera Aleko. Sergey's work slowly continued to gain recognition and praise until 1897,
when the premiere of his First Symphony met with an unprecedented abysmal reception. Sergey suffered a severe psychological
setback which caused a complete loss of self-confidence and left him unable to compose for the next three years. It took a
series of sessions with the hypnotist Dr. Nikolai Dahl to restore Rachmaninoff's confidence in his creative abilities. By
1900 he had begun work on his Second Piano Concerto and a year later, despite religious objections, he married his first
cousin, Natalya Satina. Their daughter Irina, later to wed Prince Pyotr Volknosky, was born in 1903.
In 1909, Sergey made his first visit to the United States on a concert tour and was greeted with open arms. Afterwards, he
would visit America once every season, even though he maintained a primary residence at Ivanovka, his recently inherited
estate in Russia. After the October Revolution of 1917 Rachmaninoff relocated briefly to Stockholm, but his affection for the
United States resulted in his moving to New York in 1918 and purchasing a home there, on Riverside Drive and appropriately
decorated to imitate the atmosphere of Ivanovka, in 1921.
Before 1918, Rachmaninoff wrote some 135 compositions, but after his self-imposed exile his total output was only nine or
ten works. His music, however, remained characteristically Russian, even though he was a vocal opponent of the
newly-established Communist regime, publicly announcing his criticisms in the New York Times. Sergey Rachmaninoff died in
Beverly Hills on March 28, 1943, only a few weeks after attaining his American citizenship and only five days before his
In 1901, Rachmaninov's career was in ruins. His first symphony had been an abject failure, panned by his fellow Russian
critics. Rachmaninov was in such despair that he turned to a hypnotist, one Dr Nikolai Dahl, who swung his watch in front of
the composer and convinced him that his next piece would be world-famous. He went away and wrote this, dedicating it to the
good doctor. The work opens with eight dramatic chords from the piano, then develops into a solemn rhapsody.
It was an immediate success with audiences, becoming the most popular concerto written this century. Perhaps it was the
broad sweep of the melodies, the old-fashioned painful romantic yearning, the second movement's melancholic theme punctured
by mourning woodwinds... whatever it was, the work became even more familiar to English-speaking audiences from its use in
the film Brief Encounter (a romance where the lovers never even kissed, perfectly suiting the unfulfilled yearning quality of
This piece is conducted by Michael Brown and the solo is performed by Nick Zaklama.
©UCPO 2002-17, design by David Welchew